Tag: Revolution Live

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OMD (Orchestral Manoeuvres in the Dark) w/ GGOOLLDD

Featuring the core members Paul Humphreys and Andy McCluskey, the Liverpudlian synth pop group Orchestral Manoeuvres in the Dark released its first single, “Electricity,” on Factory Records; the record led to a contract with the Virgin subsidiary DinDisc. In 1980, the group released its self-titled debut album. It was followed by Organisation, which featured the U.K. Top Ten single “Enola Gay.” The band’s next few albums — Architecture & Morality, Dazzle Ships, and Junk Culture — found the band experimenting with its sound, resulting in several U.K. hit singles. Crush, their most pop-oriented album, found more success in America than in Britain as the single “So in Love” hit number 26 on the charts. “If You Leave,” taken from the Pretty in Pink soundtrack, was their biggest American hit, climbing to number four. After a hiatus a full-blown reunion came in 2006, including both McCluskey and Humphreys. They dabbled in a few more projects and as soon as they were off the road they began writing songs for another album. Taking its name, and some inspiration, from Italian divisionist/symbolist painter Giovanni Segantini’s work titled The Punishment of Luxury, the band’s 13th album was made by the duo of McCluskey and Humphreys and released by White Noise Records in September of 2017.

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Ones To Watch Presents: COIN

Formed in Nashville but carving a space in the field of bright, synth-spiked indie pop more often associated with L.A. and N.Y.C., COIN were started by students at Belmont University in 2012. They sold out a show for the first time in the summer of 2013, and the quartet of Chase Lawrence (vocals/synths), Joe Memmel (guitar/vocals), Zachary Dyke (bass), and Ryan Winnen (drums) signed with Columbia that fall. Working with producer and co-writer Jay Joyce (Eric Church, Cage the Elephant), they released their self-titled debut in 2015. Behind the single “Run,” it landed on the Billboard Heatseekers Albums chart. The band came back a year later with the kissing anthem “Talk Too Much.” It was the first single from their second album, How Will You Know If You Never Try, which was released in the spring of 2017, and rose on the Billboard Alternative chart.

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Clutch – Psychic Warfare World Tour w/ Devin Townsend Project

The eleventh Clutch studio album Psychic Warfare goes straight for the throat with “X- Ray Visions” and never lets go. Working again with acclaimed producer Machine, this time in Texas, the concise arrangements that made Earth Rocker so assertive is the same harness for the combustible musical energy on Psychic Warfare. Harder, faster… let the rhythm hit ’em. Formed in 1991, the Maryland-based band’s ability to absorb different musical styles and fabricate them into a distinct Clutch sound continues to be their forté. “A Quick Death In Texas,” overstocked with signature “Clutch heavy” Tim Sult riffs and lonesome guitar licks, and the funk undercurrent of “Your Love Is Incarceration,” color Psychic Warfare with articulate musicality and comfortable familiarity.
Neil Fallon: Vocals/ Guitar
Jean-Paul Gaster: Drums
Dan Maines: Bass
Tim Sult: Guitar

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SIZZLA

Sizzla

SIZZLA Kalonji in Concert backed by the Firehouse Band

Friday, September 22nd 2017

Sizzla Kalonji and Allstar friends

backed by Supa Twitch | Dutty Dex | Waggy Tee

Doors Open 10PM | Showtime Midnight

Revolution Live 100 SW 3rd Ave, Fort Lauderdale, FL 33312

Early Bird $25 (Limited Availability) General Admission $35 VIP Meet & Greet $55

RSVP Online at Whyiparty.com

Tickets Available at the Revolution Box Office or on Ticketmast.com

For more Information, For Table Reservation or Information call 754.600.9366 | (954) 449-1025|

Everyone 21+

IG/ Snapchat @Whyiparty @Drewminott @Sizzla876

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GWAR – The Blood of Gods Tour w/ Ghoul, He is Legend & US Bastards

GWAR are thrash metal’s answer to the more mainstream satire of Spinal Tap. Gory, sexually perverse, and scatological in the extreme, GWAR were formed as an experiment in marketing strategy by several musicians, art students, and dancers. The group claimed to consist of all-powerful interplanetary warriors, descended from aliens stranded in Antarctica and initially created from the lowest filth in the universe, who came to Earth to sexually enslave and/or slaughter the human race. Taking the rock theatrics of Kiss and Alice Cooper to depraved new levels, GWAR have been putting on one of rock’s most outrageous and offensive–not to mention creative—live shows. The group quickly established a unique identity as the members performed in bizarre costumes made of latex and papier-mâché, while the stage show itself featured fake pagan rituals and corpses spewing washable bodily fluids on the audience. GWAR are perhaps best appreciated for their visual aspects, which have historically been far more creative than the actual music; indeed, the group received a somewhat stunning Grammy nomination in 1993 for its long-form home video Phallus in Wonderland.

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Reverend Horton Heat – Horton’s Holiday Hayride w/ Junior Brown, The Blasters & Big Sandy

The Reverend Horton Heat is perhaps the most popular psychobilly artist of all time. The Reverend (as both the three-man band and its guitar-playing frontman were known) built a strong cult following through constant touring, manic showmanship, and a twisted sense of humor. The latter was nothing new in the world of psychobilly, of course, and Heat’s music certainly kept the trashy aesthetic of his spiritual forebears. The Reverend’s true innovation was updating the psychobilly sound for the alternative rock era. In his hands, it was something more than retro-obsessed kitsch — it had roaring distorted guitars, it rocked as hard as any punk band, and it didn’t look exclusively to pop culture of the past for its style or subject matter. Most of The Reverend’s lyrics were gonzo celebrations of sex, drugs, booze, and cars, and true to his name, his concerts often featured mock sermons in the style of a rural revivalist preacher.

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$UICIDEBOY$ – Global Epidemic Tour

New Orleans rap duo $uicideboy$ combined their talents in 2014, but the pair were already well-acquainted. The cousins — Ruby da Cherry and $lick $loth — grew up together, white kids in black neighborhoods on the east and west banks of the Crescent City. Once they joined forces, the result was a dark blend of horrorcore glitch-trap bubbling with booming bass, ominous atmospherics, and occultish, drugged-out rhymes. Signed to G59 Records, the Boy$ released the ambitious ten-part series, Kill Your$elf. With titles like The $uicide $aga, The $eppuku $aga, and Re$urrection, $uicideboy$ layered their twisted raps over short tracks, releasing additional EPs like Black $uicide (with Black Smurf), Grey Sheep, G.R.E.Y.G.O.D.S., and My Liver Will Handle What My Heart Can’t. With SXSW and international shows under their belts, the recordings continued, notching nearly 30 full efforts within two years. Radical $uicide, their 29th release, arrived in the summer of 2016. The five-track EP produced by Getter peaked at number 17 on the Billboard Rap charts.

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Dirty Heads w/ The Unlikely Candidates & Tyrone’s Jacket

After two decades spent chiseling their unique, multi-genre infused sound, Dirty Heads have finally come into their own. Following in the footsteps of their California brothers Sublime, Huntington Beach’s Dirty Heads mix hip-hop, reggae, and rock along with that laid-back South Cali attitude. Since the release of their 2008 debut Any Port in a Storm, the five-piece band—Jared Watson (vocals), Dustin “Duddy B” Bushnell (vocals/guitar), Jon Olazabal (percussion), Matt Ochoa (drums) and David Foral (bass)—has consistently experimented with their sunny style, leaning heavily on reggae fused with hip-hop cornerstones and scaling back for more acoustic fare, darting between extremes.

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POD & ALIEN ANT FARM

P.O.D. (Payable on Death) formed in San Diego, CA, and have since charted their own course with worldwide sales exceeding 10 million, hugely successful international tours, and a series of chart-topping radio hits. Over the span of more than two decades they have released multiple studio albums of original songs – including the triple-platinum Satellite – seen chart success with more than a dozen Rock radio hits, including “Southtown,” “Alive,” “Youth of the Nation,” and “Boom,” the Active Rock hit “Beautiful” and their No. 1 single, “Lost In Forever,” received three GRAMMY Award nominations, and racked up four No. 1 music videos. P.O.D. has also contributed songs to numerous major motion picture soundtracks.

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Kamelot

Kamelot, Delain, ft. Lauderdale

with Delain & Battle Beast

Doors: 7:30PM

Kamelot’s release of their debut Eternity was praised by the music media as one of most promising debuts of all time. They went on to create many other albums all with striking results. Kamelot’s video “The Haunting” and “March of Mephisto” became huge hits on YouTube and prompted the band to launch their own YouTube channel, aptly titled KamTV. KamTV’s initial launch hurled the band into YouTube’s top 10 music channels and #1 Metal Channel, transcending all genres. Subsequently, Kamelot presented themselves more sinister and soulful on Ghost Opera and Poetry For The Poisoned, but have now returned to the melodic aspects of their multi-layered sound with the album, Silverthorn. The album, went directly to the top, debuting at the #1 position on Amazon’s Heavy Metal Chart! Along with this amazing accomplishment, Kamelot also impacted major charts in other categories including the #9 position on Billboard’s Hard Rock Chart, #24 on the Rock Charts, #79 on Billboard’s Top 200 Chart, as well as appearing on multiple international charts.