Fool’s Gold & Poplife Present: Fool’s Gold Day Off

Attendee safety is of paramount concern and due to recent hazards in Wynwood, we’ve opted to switch venues. If you’ve already purchased tickets, don’t worry they will be honored. Please note, the event has been bumped from all ages to 16+.

Joey Bada$$, A-Trak, Hudson Mohawke, Lil Yachty, Playboi Carti, Ape Drums, Nick Catchdubs, River Tiber, Bosco & Speakerfoxxx, Damaged Goods

The DAY OFF FLORIDA lineup is here and it’s innnnnnnsane! Our 2016 throwdown on Saturday, 9/17 is a 16+ event for the history books. Fool’s Gold’s BK neighbor and Pro Era general Joey Bada$$ headlines alongside A-Trak & Friends (will he top last year’s surprises of 2Chainz and Juvenile?) and Hudson Mohawke, fresh off supercharging Kanye West’s The Life Of Pablo and Boys Noize’s latest LP. Young ATL heroes Playboi Carti and Lil Yachty set fire to the rap rulebook, FG sparkplugs Ape Drums and BOSCO & Speakerfoxxx provide tropical vibes, and turntable vets Nick Catchdubs and Damaged Goods keep the party going all day long.

Tory Lanez with Jacquees, Kranium, VeeCee

Tory Lanez was one of the more versatile artists to surface during the early 2010s. A songwriter and producer who flits between and fuses R&B and rap — his vocals alternate between swift and rugged boasts and smooth and sensitive come-ons — he made steady strides toward the mainstream with numerous mixtapes, guest appearances, and self-directed videos. He spent parts of his early life in Toronto, his birthplace, as well as in Montreal, Miami, Atlanta, and New York. Although he was known underground well before his 20th birthday, and was supported early on by Sean Kingston, he made some of his biggest moves in 2014. During that year, he was featured on “Me & My Bitch” — a track off YG’s Top Five album My Krazy Life — and among his own tracks that circulated in 2014 was “The Mission,” his first cut to hit Billboard’s Twitter Emerging Artists chart. In July 2015, after he had signed an Interscope-affiliated deal with Benny Blanco’s Mad Love label, he released “Say It,” an R&B slow jam that sampled Brownstone’s mid-’90s hit “If You Love Me.”

97.3 Hits Sessions Starring Hailee Steinfield

The New HITS 97.3 presents HITS Sessions Starring Hailee Steinfeld at Revolution Live in Downtown Fort Lauderdale, Thursday September 15th! Doors open at 7:30pm!
Hailee will perform and take you inside HER WORLD at this exclusive up close and personal HITS Sessions event!
The ONLY Way IN Is To WIN!!!

1. Download the FREE HITS 97.3 APP and click the “HITS Sessions Starring Hailee Steinfeld” button for your chance to WIN FOUR tickets!

2. Also, keep it locked to the New HITS 97.3 for your chance to WIN FOUR tickets!

Brought to you by Lexus of North Miami & Lexus of Pembroke Pines!
ALL AGES WELCOME!

99 Jamz Uncensored: The Game

THE ONLY WAY IN IS TO WIN

99 JAMZ PRESENTS “UNCENSORED” STARRING “THE GAME!” IT’S GOING DOWN EXCLUSIVELY FOR 99 JAMZ LISTENERS ON WEDNESDAY, SEPTEMBER 14TH AT REVOLUTION LIVE IN DOWNTOWN FORT LAUDERDALE!

THE ONLY WAY IN IS TO WIN ON MIAMI’S NUMBER ONE FOR HIP HOP AND R&B… 99 JAMZ!!

BROUGHT TO YOU BY 1-800- CALL -LEE

Blind Guardian

Even before the dawn of our space age, humanity had the audacity to conceive of ourselves as a life form not bound to the planet that birthed us. More than anything, leaving terra firma required all of our amassed knowledge, talent, and imagination. Such is the case with BLIND GUARDIAN, a band from Krefeld, Germany that refuses to be bound to the genre of music that spawned them and whose accumulated knowledge, talent, and imagination have created portals into senses beyond the five we experience in common, ordinary life.

With that background established, prepare yourself for a trip that will overwhelm all your known senses and reveal something truly extraordinary.

Greatly inspired by life experience, world myths, legends, and their own fervent creativity, metal’s most epic storytellers BLIND GUARDIAN continually aspire to define themselves on a whole new level. With their highly‐anticipated, orchestral tenth studio album »Beyond The Red Mirror«, they have successfully captured the scope of their essence with unprecedented accuracy.

By far, the most important fact about the new album is this: there are no compromises.  Not one.

This is not a typical soundtrack or musical or rock opera. It is, simply, typical BLIND GUARDIAN. Set for release in early 2015, »Beyond The Red Mirror« has raised the bar on the gold standard trajectory the band had set themselves on when they first formed. Contemplating the band’s extremely successful thirty‐year career when asked to describe

the band’s guiding principles for the creation of this new release, BLIND GUARDIAN guitarist

André Olbrich shares: “We want to surprise and impress with our music. Nowadays, music tends to be arbitrary and predictable. But we want to keep developing our music.” This strategy has been followed to the letter and there will be nothing comparable to this anywhere in the panorama of music until BLIND GUARDIAN decides to record again.

It’s been over four‐and‐a‐half years since the release of 2010’s world‐renowned »At The Edge Of Time« album (which debuted at #2 on the German album charts and at #1 on the American Billboard Heatseekers chart & #108 on the American Billboard Top 200 Albums chart).  In October of 2012, the band settled into Twilight Hall Studios in Grefrath, Germany with producer Charlie Bauerfeind (SAXON, HAMMERFALL, HELLOWEEN) to begin recording

»Beyond The Red Mirror«. For the next two years, the band worked relentlessly at infusing their inimitable, emotion‐rich music with classical orchestrations within and throughout.

“Seeing how orchestra songs come alive is a very special and intense moment for us,” confesses BLIND GUARDIAN vocalist & lyricist Hansi Kürsch. “Thanks to ‘Sacred Worlds” and

‘Wheel Of Time’ [from 2010’s »At The Edge Of Time« album], I can say that we have learned a lot about scoring, recording, and mixing when it comes to such music. You will notice a great improvement when you listen to the final result of this adventurous trip we have started so long ago.”

Working with three different classical choirs – one from Prague (the Czech Republic), one from Budapest (Hungary), and one from Boston (United States) – plus two grand orchestras featuring 90 musicians each, the brilliant, cumulative talents captured on »Beyond The Red Mirror« have generated absolutely spellbinding results that ‐ at key moments ‐ mimic the feeling of flying, making this new album everything BLIND GUARDIAN fans have been hoping for.

Gracing the cover and pages of this musical masterpiece is artwork by long‐time collaborator Felipe Machado. “I have never worked with an artist who is so much into things and who is so quick on the uptake at the same time,” Hansi reveals. “He truly is a magician. Whenever I throw in a few mumbling words, he comes back with art. It is amazing.”

These ten new tracks will transport the listeners ‐ via a mysteriously powerful red mirror ‐ into an otherworldly dimension that includes tyrants, gods, and the Holy Grail. And it’s no coincidence that »Beyond The Red Mirror« bears strong lyrical ties to 1995’s »Imaginations From The Other Side«, for we are reunited with the young protagonist we first met twenty years ago in the songs ‘Bright Eyes’ and ‘And The Story Ends’ who stood before a magic door, unsure whether to make the leap into a new, unknown world or to stay in his own. Now an adult, the impact of this important moment in the protagonist’s life is the launching point for the entire album.

Opening with a surging tidal wave of emotion created by a spine‐tingling choir and a full orchestra is »Beyond The Red Mirror«’s first gem, the nine‐and‐a‐half  minute ‘Ninth Wave, a consciousness‐expanding palette of landscapes and moods bearing the message of an urgent mission still desperately searching for a resolution.

“A story between science fiction and fantasy,” explains Hansi. “The story begins with our 1995 album, »Imaginations From The Other Side«. The two worlds described therein have changed dramatically for the worse since then. While there used to be several passages between the worlds, there is only one gate left now: The Red Mirror. It has to be found at any cost.”

An endeavour demanding that attention  be paid to the lyrics as much as to the music, what follows is a desperate search for truth, an exploration of the relativities of good and evil, the consequences of lost opportunities, a glimpse into a distant universe’s dystopian society, a prophecy, a promise of revolution, a plot for revenge, and a miracle machine with powers far beyond what mere mortals could have dreamed possible.

Closing with an explosion of heroic harmonies & choral glories with a second nine‐and‐a‐half minute, self‐contained saga named ‘Grand Parade’ (cited as “the best song we have ever written” by Olbrich), BLIND GUARDIAN’s grandiose, uplifting, and ingenious storytelling is guaranteed to leave you breathless.

With »Beyond The Red Mirror«, you will experience why BLIND GUARDIAN is so undeniably influential and absolutely without equal in the pantheon of heavy metal music.

Flux Pavilion

Known for his 2011 hit “Bass Cannon”, English dubstep producer and DJ Joshua Steele took the name Flux Pavilion around 2008 when he released the track “Cheap Crisps” as a digital download. Steele had grown up in Towcester where his neighbors were like-minded producers Doctor P and Trolley Snatcha. At the time, all three had been playing in guitar-based bands together, but after downloading some music creation software, they agreed the future was digital and were set on their dubstep paths. Fast forward to 2010 and Flux Pavilion had made a name for himself with plenty of club hits, remixes, and DJ gigs, but that year’s “I Can’t Stop” took his career to another level. Two “fans” Steele met on a tour of America asked to sample the cut for their upcoming hip-hop album, and a year later “I Can’t Stop” became the basis of “Who Gon Stop Me” on Jay-Z and Kanye West’s collaborative effort Watch the Throne. Flux Pavilion’s hit track “Bass Cannon” arrived that same year, along with a collaborative cut with Doctor P, “Super Bad.”

The Dolan Twins

The Dolan Twins unveiled today the second round of their summer tour dates.  The Dolan Twins’ 4OU Tour, which was announced last month by The Dolan Twins through a special video released to fans via their YouTube channel, will treat fans to live music, meet & greets, and surprise opening acts, including the recently announced Alex Aiono.

VIP After-Party Passes will go on sale at a date to be announced. Please note that to attend the VIP After-Party, one has to purchase a separate ticket to the show. Those without tickets will not be allowed to attend the After-Party.

With 19M fans between them, Grayson and Ethan Dolan have some of the highest engagement across social media and a penchant for hilariously relatable skits about teen life.  These 16-year-old creators with model-good looks are among the hottest talent coming off the Internet right now.  The duo rose to fame in 2013 when they began creating six second comedic videos on Vine that won the hearts of fans worldwide overnight and catapulted the twins into social media dominance.

Buzzfeed praised their Vines in 2015 as “perfectly summing up what it’s like to be a twin.”  Ethan and Grayson have used their comedy chops to create original content on their YouTube page, which has accumulated over 74M views.  New videos are added every Tuesday on their official YouTube channel and consistently trend #1 on Twitter.  When the twins announced they were going on tour, #DolanTwinsOnTour trended worldwide on Twitter almost immediately, and the WeDemand site to which they directed their fans garnered 112,000 votes in just 24 hours.

Bro Safari with Smle

BRO SAFARI

Contrary to popular belief, dance music isn’t new to America. One would only have to look at the career of Bro Safari to know that the American dance music scene has been thriving for years, making waves from the States to across the globe. Bro Safari’s productions have excited crowds and been critically acclaimed by the best in the business, and there’s nowhere to go but up for this talented producer.

In fact, if 2012 was the year that Bro Safari’s name grew, then 2013 is when the rocket blasted off. After is success releasing singles “Scumbag,” and “The Drop,” Bro Safari partnered with his long time collaborator UFO! for the highly anticipated album Animal, which were all free giveaways via his Soundcloud. The Animal project high-light’s how these two drum & bass producers took a “genres-be-damned” approach, creating music that they felt. The album is a cohesive masterpiece, received great accolades and pushes from a number of well-respected outlets. In a fitting cycle, they even included some raucous drum & bass tracks to the project, never forgetting where they came from.

No one can predict the future, but with the trajectory that Bro Safari is on right now, he is on track to continue to excite audiences, challenge norms, and represent the quality within the dance music scene for years to come.

Sizzla Kalonji alongside the Fire House Band

Emerging during the latter half of the ’90s, the enormously prolific Sizzla was one of the leaders of the conscious dancehall movement. Along with Buju Banton and Capleton, he helped lead dancehall back to the musical and spiritual influence of roots reggae, favoring organic productions and heavily Rastafarian subject matter. A member of the militant Bobo Ashanti sect, he sometimes courted controversy with his strict adherence to their views, particularly his aggressive condemnations of homosexuals and white Western oppressors. Yet overall, his music was generally positive, advocating faith and compassion for poor black youth, and respect for women. He remained something of an enigma to the public at large, rarely granting interviews and keeping his concert appearances to a minimum. Nonetheless, he still ranked as arguably the most popular conscious reggae artist of his time, thanks to a normally high standard of quality control — all the more impressive given the frequency with which he recorded. A versatile singjay-style vocalist with a gruff, gravelly tone, he was capable of both rapid-fire chatting and powerful, melodic singing, and his best backing riddims were among the strongest in contemporary dancehall.

Sizzla was born Miguel Collins on April 17, 1976 and was raised in the August Town area of Kingston of devout Rastafarian parents. After honing his vocal skills, he landed a gig with the Caveman Hi-Fi sound system, where he first made a name for himself as a performer. He cut his first single for the small Zagalou label in 1995, and soon moved on to Bobby “Digital” Dixon’s Digital B imprint. However, he didn’t manage a break-out success until saxophonist Dean Fraser recommended him to producer Philip “Fatis” Burrell. Sizzla released a series of singles on Burrell’s Xterminator label, including “Judgement Morning,” “Life’s Road,” “Blaspheme,” “We Uh Fear,” “I’m Not Sure,” and the Shadowman duet “The Gun.” His first LP, Burning Up, appeared on Xterminator later in 1995, and he toured extensively alongside Luciano and Mikey General. Unlike kindred spirits Capleton and Buju Banton, Sizzla’s early material was culturally oriented right from the start; he was able to build an audience without any of the lyrical slackness that helped establish the other two.

Creatively speaking, Sizzla really came into his own with the release of his second album, the Burrell-produced Praise Ye Jah in 1997. Widely considered one of the top conscious dancehall albums of its time, Praise Ye Jah was quickly trumped by the release of the Dixon-produced Black Woman & Child that same year. The title track was a smash hit and became something of a cultural reggae anthem. Sizzla scored several more hits during 1997, including “Like Mountain,” “Babylon Cowboy,” “Kings of the Earth,” and the Luciano duet “Build a Better World.” This hot streak kicked off an enormously productive recording binge that lasted over the next several years, with much of his output still done for Burrell.

1998’s Kalonji was issued in the U.S. under the title Freedom Cry, and featured the successful singles “Love Amongst My Brethren” and “Rain Shower.” No less than three albums — Be I Strong, Good Ways, and Royal Son of Ethiopia — appeared in 1999, with Be I Strong achieving the highest profile among them. 2000 brought three more albums: the double-CD Liberate Yourself (which featured one disc of Sizzla material and another of his protégés), Words of Truth (which featured a bonus live disc), and Bobo Ashanti, a well-received, highly spiritual set with a stronger hip-hop flavor. Refusing to slow down, Sizzla issued four more albums in 2001 — Black History, Taking Over, Rastafari Teach I Everything, and Blaze Up the Chalwa — and often displayed a harder edge and a willingness to embrace digital production. That approach changed in 2002, when he concentrated on softer, mellower, more romantic material, which dominated that year’s albums: Ghetto Revolution and Da Real Thing. Two more albums, Light of My World and Rise to the Occasion, appeared in 2003. Soul Deep was released in 2005, with both Ain’t Gonna See Us Fall and Waterhouse Redemption landing a year later. By the end of 2006, Sizzla released the high-profile The Overstanding, an album with hip-hop impresario Damon Dash as executive producer. I-Space returned the singer to his Jamaican roots in mid-2007. Welcome to the Good Life followed in 2011. A trip to Africa influenced two of his 2012 albums with The Chant focusing on his visit to Zimbabwe while In Gambia was partially recorded in its namesake country. His 2013 effort The Messiah was recorded with the Bread Back production team and marked his 70th album. The 2014 set Radical rounded up lost tracks recorded for the Xterminator label between 1992 and 2003

99 Jamz presents Rae Sremmurd Uncensored

This event is 18+

99 JAMZ PRESENTS “UNCENSORED” STARRING….RAE SREMMURD!!

SWAE LEE & SLIM JXMMI WILL BE ON THAT 99 JAMZ “UNCENSORED” STAGE GIVING YOU THE REAL RAE SREMMURD RAW AND UNLEASHED!

WEDNESDAY, AUGUST 17TH  AT REVOLUTION LIVE IN DOWNTOWN FORT LAUDERDALE –PLUS THEY’LL BE PERFORMING SONGS OFF THEIR ALBUM “SREMM LIFE”

EXCLUSIVELY FOR 99 JAMZ LISTENERS! THE ONLY WAY IN IS TO WIN ON MIAMI’S NUMBER ONE FOR HIP HOP AND R&B, 99JAMZ!