Category: All Ages

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The Wonder Years & Real Friends

Taking its name from the TV show The Wonder Years, the Philadelphia punk pop band consists of guitarists Matt Brasch and Casey Cavaliere, vocalist Dan “Soupy” Campbell, bassist Josh Martin, drummer Mike Kennedy, and keyboardist/guitarist Nick Steinborn. In late 2007, The Wonder Years self-released an album, the emphatically titled Get Stoked on It! and quickly caught the eye of California label No Sleep, which signed the band. Their first record for the label was the EP Won’t Be Pathetic Forever. After a year spent recording its second album, the group released The Upsides in January of 2010. The record, reaching No. 5 on the Billboard alternative artist chart, gained The Wonder Years a deal with the larger indie Hopeless, which reissued the album in September with four bonus tracks. With a solidified lineup, The Wonder Years got to work on their next album. In 2011, they released their third album, Suburbia I’ve Given You All and Now I’m Nothing, inspired by the Allen Ginsberg poem entitled “America.” It was followed by the arrival of a B-sides compilation, Sleeping on Trash, as well as their fourth full-length album, The Greatest Generation, in 2013. Campbell began working on songs for the next Wonder Years project, but suffered a powerful case of writer’s block that triggered a severe bout with depression. Campbell eventually channeled the emotions stirred up by his struggles into the group’s fifth studio album, 2015’s No Closer to Heaven, a concept piece about coming to terms with the death of a loved one. It was hailed by critics as a major musical accomplishment for the band.

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JJ Grey & Mofro

From the days of playing greasy local juke joints to headlining major festivals, JJ Grey remains an unfettered, blissful performer, singing with a blue-collared spirit over the bone-deep grooves of his compositions. His presence before an audience is something startling and immediate, at times a funk rave-up, other times a sort of mass-absolution for the mortal weaknesses that make him and his audience human. When you see JJ Grey and his band Mofro live—and you truly, absolutely must—the man is fearless. Onstage, Grey delivers his songs with compassion and a relentless honesty that captures the fierceness and intimacy that defines a Grey performance. Grey and his current Mofro lineup offer grace and groove in equal measure, with an easygoing quality that makes those beautiful muscular drum-breaks sound as though the band has set up in your living room.

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The Noise Presents: Attila, The Chaos Tour

Party-hearty death metal rockers Attila formed while in high school in their hometown of Atlanta in 2005, around the core of founders Chris “Fronz” Fronzak (vocals) and Sean Heenan (drums). The band played parties and festivals in and around Atlanta. Their first long-player, 2007’s Fallacy on Statik Factory Records, has been an underground favorite since its release. Their second album, 2008’s aptly named Soundtrack to a Party, was also issued on Statik Factory; it garnered the same praise as its predecessor. Attila‘s popularity on the death metal scene is due in part to creating their own ironically named subgenre called “Party Death Metal.” Rather than take themselves seriously — as nearly every other practitioner of the hardcore punk-meets-extreme metal prowess called death metal is wont to do.

Attila take a lighthearted, laid-back party animal approach, writing utterly ridiculous lyrics to accompany their fast and furious thrashing. The band has toured with Arsonists Get All the Girls, See You Next Tuesday, Chelsea Grin, American Me, and We Are the End. The band’s personnel changed considerably during its formative years and finally stabilized in 2008 with Heenan and Fronz, bassist Paul Ollinger, and guitarists Nate Salameh and Chris Linck. Artery Recordings was formed by the partnership between Artery Management and Razor & Tie, who’d heard about Attila via Chelsea Grin. Label boss Mike Milford saw them perform on the Grand Slam tour in 2009 and signed them. Rage, their debut recording for Artery, appeared in 2010. Produced byJoey Sturgis (We Came as Romans, the Devil Wears Prada), Outlawed arrived in 2011, followed in 2013 by About That Life. The band’s sixth studio long-player, the Sturgis-produced Guilty Pleasure, arrived the following year.

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Tegan and Sara w/ Torres

Tegan and Sara’s 13-year career has seen them build an avid global following of fans and fellow musicians alike. Their unique ability to bridge the pop and indie worlds has allowed their music to cross all traditional boundaries of genre, from being covered by The White Stripes to collaborating with superstar DJs such as Tiesto and David Guetta. Having sold nearly 1 million career albums and toured with acts from The Killers to Neil Young, Tegan and Sara are now positioned for the release of their 7th studio album – Heartthrob – as internationally-celebrated songwriters, performers, and artists.

Tegan Quin and Sara Quin were born in Calgary, Alberta, Canada in 1980 and began playing guitar and writing songs at age 15. Following the release of their first independent full-length album, Under Feet Like Ours, in 1999, they caught the attention of Neil Young’s iconic manager, Elliot Roberts, who quickly signed them to his Los Angeles-based label, Vapor Records. Tegan and Sara’s first international release on Vapor, This Business Of Art, was followed by extensive worldwide touring, including opening slots with Neil Young himself and a first appearance on The Late Show with David Letterman.

In 2002, the band released If It Was You, a foundational moment in Tegan and Sara’s creative path and musical identity. Its fresh sonic template and critical success in the US set up their fourth studio album, So Jealous, which ultimately provided their global breakthrough. On the heels of 6 separate song placements on Grey’s Anatomy, a US radio hit in “Walking With A Ghost”, and a North American tour opening for The Killers, So Jealous cemented Tegan and Sara’s status as one of Canada’s pre-eminent songwriting forces and musical exports.

In 2007, the release of The Con brought even more critical and commercial acclaim to Tegan and Sara. The album was co-produced by Chris Walla, with members of Death Cab for Cutie, Weezer and AFI all appearing in supporting musician roles. Tegan and Sara’s most recent album, Sainthood, was released in 2009 and was accompanied by a self-published three-volume book set titled ON / IN / AT, which chronicled a year in the life of Tegan and Sara, in both words and pictures. Sainthood was ultimately nominated for a Juno Award and the Polaris Prize. One of the album’s singles, “Alligator,” was remixed by many artists including Four Tet, Passion Pit, Ra Ra Riot, and VHS or Beta, and the collection was released on vinyl in 2010.

In 2011, Tegan and Sara released GET ALONG a cd/dvd set that includes a live record and collection of 3 films that give a rare and intimate look into their lives and music. The first film, ‘States’ uses American touring footage and interviews; the second film, ‘India’ chronicles their first ever tour of India; and the third film, ‘For The Most Part’ is a special 1hr 10min stripped-down studio concert, shot with a live audience of 75 fans, friends and family over two days in Vancouver, Canada. The live record features music recorded during these concerts.

Tegan and Sara have played countless festivals around the world including Coachella, Bonnaroo, Glastonbury, Lollapalooza, Austin City Limits, and have toured with artists such as Cyndi Lauper, Neil Young, The Pretenders, The Killers, Jack Johnson, Ben Folds, City and Colour, Death Cab For Cutie, Weezer and Paramore. Since 2003, they have headlined tours in North America, Europe, Asia and Australia, consistently selling out theatres around the world. Their music has been featured in major network television programs including 90210, Parenthood, Grey’s Anatomy, Veronica Mars, The Vampire Diaries, and One Tree Hill. They have performed multiple times on Letterman, Leno and Conan. They have collaborated with artists in all genres, from superstar DJs such as Tiesto, to seminal literary figures such as Augusten Burroughs. Their original 2004 breakthrough song, “Walking with a Ghost,” was eventually paid the high honour of being covered by The White Stripes.

Though their music is not overtly political, Tegan and Sara are very politically and socially engaged. They are outspoken advocates for LGBT equality, and have done countless fundraisers for youth organizations, music education, literacy, cancer research and LGBT advocacy.

The sisters enjoy reading, hair, ships, vampires, hot dogs, talking and relating to elderly people, self-soothing, rearranging furniture, and giving excellent advice.

Tegan lives in L.A. and Vancouver, Sara lives in NYC and Montreal.

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ST. Pauli Presents Less Than Jake & Pepper

Less Than Jake are back!
“But they never went anywhere, “you protest. Well reader, in that sense you are correct. But this fall they’re not only serving up their first full-length in five years, but-after more than two decades together­ also embracing a total back to basics approach .
Throughout a career that has run the gamut from salt-releases and small indie imprints to large independent labels and major music conglomerates, the band has always been more than the sum of its parts. Now more than ever, though, they espouse their stature as a DIV collective that works together-or at least in tandem with a few trusted allies-on every element of their creative output. Drummer Vinnie Fiorello recalls, “We started out very internal and nowadays we handle a lot internally again.”
The result of their old school approach is the old school sound of See The Light created without any external meddling from corporate lackeys. “Everyone had their alone time with chords and some quick structures; we all put our ideas down before we got together,” says Vinnie,” Then we sat at an octagon table in our warehouse and went through: this is what we think about this song, maybe we should do it ska maybe we should do it punk-true band songwriting in essence.”
Not only was the songwriting a true group effort, but -like the three EPs the band have released since 2008’s long-player GNV FLA -so was the actual recording of See The Light, which was tracked entirely at Gainesville’s The Moathouse, owned by LTJ bassist Roger Lima, who took lead production duties with communal input and assistance from his four band mates and live sound engineer.
“Roger has been recording our demos since the beginning of the band and steadily has worked his way up learning about studios from everyone we’ve worked with in the past “says trombone player Buddy Schaub. With no ticking clock and no studio fees piling up the band used their breathing room to create somewhat of a rarity in today’s prefab music world: a full-length album that gels as a complete thought, lyrically and musically, Buddy adds,”I think this is one of the closest representations of our band to date. We’re all really excited for this record t o get out into the world and we can1wait to hear what people thinkI”
Like 2000’s release Borders and Boundaries the new record was mixed at the famed Blasting Room by punk rock legend Bill Stevenson (Descendents, Black Flag) and Jason Livermore, but don’t let that lead you to believe that there’s anything same-ish about See The Light. ” f you’re expecting retreads and repeats,this record will disappoint,” exclaims Roger.” t’s all new songs and new vibes only recorded in our old school way.”
While some other bands of a certain vintage are latching onto musical trends you won’t find any dubstep beats or vocoder distortion on See The Light-a titie that nods to the band’s history of marrying dark lyrical content (the tunnel) to bouncy musical arrangements (the light at the end). Less Than Jake aren’t turning away from their roots, and echoing Mark Twain, Fiorello points out that the rumors regarding their genre’s demise are greatly exaggerated.” Punk has been declared dead every year for 30+ years and it’s still going stronger than ever. People like to declare things dead just because it’s dead to them but if bands are passionate about what they’re doing they’ll attract fans who are passionate.”
As fits a band born long enough ago to now be of legal drinking age, Less Than Jake pulls in a multi­ generational audience, which Vinnie notes is often a family affair, “Our crowd now is 16 to 40, and Ive met kids as young as eight or nine Dads bring their sons and it’s a weird rite of passage; moms bring kids in saying, ‘We’ve watched you guys for 15 years. ‘But will the band stick around long enough to draw in a third generation of fans? “I don’t know man, I think our guys on that would be NOFX and Bad Religion.
When you see Fat Mike or Bad Religion hang It up, maybe : but like them, we’re gonna ride that
out. “We’re glad to be along for the ride Hop on board when See The Light sees the light on November
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Save Ferris with special guests Baby Baby

SAVE FERRIS is a ska-punk band formed circa 1995 in Orange County, Southern California. Their name is a reference to the 1986 film Ferris Bueller’s Day Off.
The band formed after the dissolution of a number of Southern California bands. With Monique Powell as manager, front person, and co-songwriter, the band began to book shows around Southern California to a great underground response.
Financed by Powell’s sister, the band released their debut EP “Introducing SAVE FERRIS” on Powell’s label, Starpool Records, in 1996. They ended up selling close to 20,000 copies of their EP out of the trunks of their cars, with huge support from Orange County independent record shops and fans. That year, Powell provided vocals on the Reel Big Fish song “She Has A Girlfriend Now” on their album “Turn the Radio Off” (Mojo).
With Powell as manager and lead, and as favorites of KROQ radio’s legendary Rodney on the Rock, SAVE FERRIS created a presence on LA’s KROQ radio, possibly being the first unsigned band to do this in LA alternative radio history. Later that year, the National Academy of Recording Arts and Sciences gave the band a Grammy showcase award for best unsigned band, earning them a recording contract with Epic Records (SONY).

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Official Welcome to Jamrock Cruise Pre-Party

Please join us for the Jamrock Pre-Party in Ft Lauderdale on Sunday, November 13, the night before we sail. This is a free party and open to the public so we expect it to be full.

Artists to include: Stone Love, Mighty crown, Kingston 12, DJ roy, Diva Nikki Z, Steelie Bashment, Collin Hines, Spex Da Boss and many more.

Please note that there will be a special VIP line for Jamrock cruisers. Just show your ID and we will have you on our list. Past cruisers will tell you that this is a great opportunity to meet your fellow cruisers from all over the world. Vibes will be up!

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Elle King – The Ministry Tour w/ guest Paul Cauthen

Elle King recently released brand new single “Good Girls” featured on the Ghostbusters Soundtrack due out July 15th on RCA Records. She also dueted with Dierks Bentley on his massive hit “Different For Girls” and will be joining the Dixie Chicks on tour for select dates in September and October. Elle King will be performing as part of Good Morning America’s Summer Concert Series on Friday, July 15th.  King recently wrapped her sold out U.S. headlining tour this April along with a run of festival dates including Boston Calling, Governors Ball, and Firefly.

Elle King has taken the world by storm with the release of her debut album LOVE STUFF last year. Her  hit single “Ex’s & Oh’s” was nominated for 2 Grammys and 2 Billboard Music Awards, was certified double platinum, and she made chart history, becoming the second female artist in 18 years to reach #1 at Alternative Radio, following Lorde’s #1 with “Royals” in 2013.  Her single also claimed the #1 spot on the AAA Chart, #1 at Hot AC, and #1 spot on the Billboard “Hot Rock Songs” with “Ex’s & Oh’s, becoming the 4th female led act/artist to top this chart in its 6 year history. Elle recently released the video for her new single “America’s Sweetheart” and performed Sweetheart on The Tonight Show Starring Jimmy Fallon, The Ellen DeGeneres Show, and The Late Late Show with James Corden. Elle will be the opening act on several dates this fall for The Dixie Chicks.  She has received much critical acclaim — Jon Pareles of The New York Times described her as “a sassy, hard-drinking, love-’em-and-leave-’em hellion with bad tattoos and a broad pedigree across rock, pop and country. She has Adele’s determination and Joan Jett’s stomp, Brenda Lee’s high-voiced bite and some AC/DC shriek.”  Elle has been featured by The Wall Street Journal, Teen Vogue, People Magazine, USA Today, and many more.

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Dillinger Escape Plan

The Dillinger Escape Plan create maniacally intense, crushingly metallic, and decidedly hardcore punk-infused jazz-time-signature-invoking compositions displaying an unparalleled musical bravery, precision musicianship, meticulously thought-out, and complex structuring, and rigorous physical endurance. The band’s guitarists and drummer are regular features in publications geared toward the guitar- and drum-playing set. The depth of extremity and mental challenge presented by their music virtually defies description, at once recalling the mind-wandering spirit of the Mahavishnu Orchestra, the complex heavy metal of latter-day Death, Cynic’s solitary death metal achievement, and the progressive hard rock of Rush. Their performances bring to mind the anarchic charge of early Guns N’ Roses shows, and the sophistication that drives their craft should awe fans of classy art rock bands like Radiohead. This is bound to be one of the best live shows of the year! Don’t miss this!

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Switchfoot & Relient K

After gaining a foothold in the contemporary Christian music scene, Switchfoot went mainstream with 2003’s The Beautiful Letdown, a double-platinum album that straddled the line between sacred and secular rock music. Years before Switchfoot’s commercial breakthrough, though, the group struggled to make a dent in the San Diego area, where singer/guitarist Jonathan Foreman, bassist Tim Foreman, and drummer Chad Butler began playing together in 1996. The lineup logged several shows under its original name, Chin Up, before adopting the Switchfoot moniker and attracting the attention of singer/songwriter Charlie Peacock. Although Peacock signed the band to his own label, Re:Think, Switchfoot were moved over to the roster of Sparrow Records following Sparrow’s acquisition of the smaller label.
Now signed to one of the largest Christian labels in the country, Switchfoot temporarily tabled their plans to reach out to a broader audience. Their first two albums, The Legend of Chin and New Way to Be Human, were marketed almost exclusively toward Christian listeners, who took an immediate shine to the band’s music. Keyboardist Jerome Fontamillas joined the band for 2000’s Learning to Breathe, which found Switchfoot taking more steps toward a mainstream alt-rock sound. Breathe became a transitional record for the group, earning a Grammy nomination for Best Rock Gospel Album and selling over 500,000 copies, thus achieving gold status. Its success, coupled with the band’s presence on the hit soundtrack to the 2002 film A Walk to Remember, set Switchfoot up for a healthy major-label run.
The Beautiful Letdown, Switchfoot’s debut album for Columbia Records, was issued during the spring of 2003. It represented the quartet’s full evolution from a Christian group to a mainstream rock act, eventually earning double platinum sales and producing two Top 20 hits: “Dare You to Move” and “Meant to Live.” Switchfoot returned in September 2005 with their fifth album, Nothing Is Sound, which debuted at number three on the Billboard 200. Nothing Is Sound went gold, sparked another radio hit in “Stars,” and was the first Switchfoot recording to include the work of additional guitarist Andrew Shirley (formerly a member of the contemporary Christian group All Together Separate), who’d been a touring member of Switchfoot since 2003. Wasting little time, the band returned to the studio with veteran U.K. producer Tim Palmer to begin work on its sixth album, one that found the guys broadening their musical scope. The resulting Oh! Gravity. appeared at the tail end of 2006.
Oh! Gravity. turned out to be Switchfoot’s last album for a major label. Less than a year after its release, Jon Foreman announced the band’s decision to leave Columbia Records and form its own label, lowercase people records. Columbia pulled together some of the band’s greatest hits for a last-minute compilation, The Best Yet, while the band set to work on another record. At the same time, Foreman began releasing a string of solo EPs, each of them named after a specific season. He also formed Fiction Family, a folk-pop side project, with Nickel Creek guitarist Sean Watkins. Fiction Family’s self-titled debut was released in January 2009, followed one month later by another Switchfoot album, Hello Hurricane, which won the 2011 Grammy Award for Best Rock Gospel Album. Several months after the band’s Grammy win, Switchfoot returned with Vice Verses, an album that highlighted the band’s rhythm section. During 2013, while touring in support of Vice Verses, Switchfoot made a film called Fading West, documenting the band’s lifelong love of surfing. Their next album, also entitled Fading West, landed in January 2014. It saw the band freed from the typical constraints of the three-minute pop song, experimenting with unusual instruments and musical textures. Later that September the group a issued a short EP of supplemental material from the project, Fading West: The Edge of the Earth – Unreleased Songs.

 

GRAMMY nominated Relient K has been making records since 1997, when Matt Thiessen and Matt Hoopes formed the band in high school. In the 15+ years since, they’ve released six full-length albums (three are certified Gold), five EPs and a Christmas record,  with over two and half million records sold, three RIAA Gold-certified albums and a highly dedicated fanbase. As a prolific songwriter, Relient K’s frontman, Matt Thiessen, has paved a road with pop hits over the last four years including co-writing Owl City’s 2012 summer hit “Good Time,” Kelly Clarkson’s “Long Shot” and the award-winning “When Can I See You Again” from the animated film Wreck-It Ralph.

 

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Fitz & The Tantrums

Brimming with imagination, energy, and genre-smashing scope, Fitz & The Tantrums defied the odds to become an indisputable phenomenon, a chart-topping, show-stopping modern pop combo unlike any other.  Now, with their spectacular Elektra Records debut, More Than Just A Dream, the Los Angeles-based sextet have ramped up the timeless songcraft and soul sonic force that made them a worldwide sensation to fashion a kaleidoscopic milestone that delivers on the promise of their 2010 breakthrough, Pickin’ Up The Pieces.  Songs like the impossibly catchy first single, “Out Of My League” are positively brazen with verve and vivacity, demonstrating all the drama and passion of the band’s famed live shows.  From the charged back-and-forth between co-lead vocalists Fitz and Noelle Scaggs to the incontrovertible power of The Tantrums in full flight, More Than Just A Dream is the sound of a great band taking it right to the edge.

“The only rule in making this record was that there were no rules,” says Fitz.  “Nobody was allowed to say, ‘We can’t do that.’  We didn’t limit ourselves.”

A longtime studio engineer and aspiring musician, Michael “Fitz” Fitzpatrick founded Fitz & The Tantrums in 2008, driven simply by “a need to be creative and not lose my mind over a breakup.”  He convened an “amazing set of people” – including Noelle, James King (saxophone, flute), Jeremy Ruzumna (keyboards), Joseph Karnes (bass) and John Wicks (drums, percussion) – and quickly recorded the band’s debut EP, Songs From A Breakup, Vol. 1, in his Silverlake home studio. Fitz felt so strongly about the band that he put it all on the line, investing his life savings in the project.  Belt buckles were pulled as tight as the band itself, which spent the next year captivating audiences with their outrageously entertaining live set.

“We busted our butts,” he says.  “We just kept building a name for ourselves, getting our music out there in a really old school way – playing as many shows as we could, winning over five, ten, fifty people at a time.”

It wasn’t long before Fitz & The Tantrums were being spoken of as one of the most exciting live acts in the country.  This led to the band’s 2010 signing with Fitz’s Silverlake neighbors, Dangerbird Records, a feat the singer describes as both “an accomplishment and the beginning of the hardest work we’ve ever done.”

Pickin’ Up The Pieces was released in August 2010 to unanimous critical acclaim.   Fitz & the Tantrums did anything and everything to spread the word.  Things soon began to break their way as irresistible singles like “MoneyGrabber” and “Don’t Gotta Work It Out” began drawing national radio airplay.  The next 20 months proved both exhilarating and exhaustive as Pickin’ Up The Pieces ultimately ascended to #1 on Billboard’s Heatseekers chart, and sales numbers to match.  The band embarked on an unrelenting schedule that included high profile TV performances, sold-out headline shows, and so many festival appearances that Vogue declared them to be the “Hardest Working Band” of Summer 2011.  The first time the FATT camp noticed the ball starting to hover above their palms was at Lollapalooza 2011. As the band tore through the set, the audience sang not only the radio hit “Moneygrabber,” but deeper cuts from the album—finally, this road-proved sextet had conjured the lush, holy glow all performers pine for. And judging from the smiles on both sides of the mic, it was hard to know who was being entertained more, the band or the crowd.

That sense of purpose and commitment suffused the second Fitz & The Tantrums album right from the outset.  The band wrote over 30 songs in just two months, toiling in their practice space “to the point of hallucinating.”

In May 2012, Fitz & The Tantrums arrived at Hollywood’s Sound Factory eager to grab hold of the “raw, in-your-face, non-stop energy” of their live show and put some of their spilt blood to work.  A self-proclaimed “studio nerd,” with an abiding faith in “creating mood and atmosphere through production,” Fitz considered once again producing himself, but instead opted to enlist producer Tony Hoffer, known for classic collaborations with such artists as Beck, M83, and Phoenix.

While their first record was conceived as a homage to 60’s pop soul music, More Than Just A Dream sees Fitz & The Tantrums propelling their sound towards their own distinctive, utterly contemporary vision.  Nothing was off the table as the band sought to “create these interesting hybrids of styles and influences that embrace and repel each other all at the same time,” synthesizing everything from soul to pop, from indie to electronic with a dose of hip-hop.

Songs like “Spark” and the anthemic “Break The Walls” celebrate “pushing through, personally and artistically,” while “The End” and “6AM” find Fitz continuing to grapple with questions of the heart.  To record the latter song – a much-loved staple of The Tantrums’ live set – Hoffer suggested Fitz and Scaggs sing together at the same time for the recording, much like they do on stage.  The result is a stunningly soulful dialogue that defines the two lead singers’ special chemistry.

“It was this pure moment,” Fitz says.  “We sang the song to each other, looking into each  other’s eyes, it was incredibly powerful and emotional. That’s the take that’s on the record.”

FATT’s own single-minded determination comes to the fore in “The Walker,” a dizzyingly delightful discoball inspired by the “almost mythological” Silverlake Walker, the shirtless (and now sadly deceased) neighborhood fixture known for his perpetual power-walking around the Silverlake Reservoir rain or shine, night or day.

“The song sounds happy and playful,” Fitz says, “but it’s a dark tale of obsession that is really about our own fixation with chasing our dreams and knowing there is always a price to pay, but with that said this has truly been more than we could have ever dreamed for.” Thus, the title of the record.

The album reaches a moving climax with “Merry Go Round,” a potent paean to “the loneliness and the sadness of being on the road.”  “When it came time to laying my vocals down for this song, the words held more truth for me than ever,” recalls Fitz. “I had been away for two years and came home to an empty house. I had experienced so much on the outside, but inside was still damaged.  It was hard to get through a single take without breaking down.”

From the studio to the stage, Fitz & The Tantrums give everything they have to anything they do, leaving it all on the floor night in and night out. With its artistic audaciousness and pure pop punch, More Than Just A Dream fully confirms Fitz & The Tantrums are here to stay.

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The Pretty Reckless

The Pretty Reckless

After topping the rock charts in 2014 and 2015, The Pretty Reckless returns with their extraordinary third studio album Who You Selling For, due October 21st on Razor & Tie. The new album is the band’s anticipated third studio album and the follow up to Going To Hell, which spawned the biggest rock song of 2014 in “Heaven Knows” and a total of three #1 Mainstream and Active Rock hits. The first single from the new album, “Take Me Down,” premiered worldwide July 15th on iHeart Radio and impacted at rock radio four days later on July 19th, quickly climbing to #7 on the chart.